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Jacopo Pontormo Italian 1494-1557 Jacopo Pontormo Galleries
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.
Jacopo Pontormo Deposition 02 Santa Felicita, Florence
Painting ID:: 1600
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Jacopo Pontormo Madonna Child with St.Joseph and St.John the Baptist 1521-22 The Hermitage, St.Petersburg
Painting ID:: 1601
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Jacopo Pontormo Portrait of Maria Salviati Galleria degli Uffizi, Florence
Painting ID:: 1604
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Jacopo Pontormo Lady with a Basket of Spindles Galleria degli Uffizi, Florence
Painting ID:: 1606
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Jacopo Pontormo Joseph in Egypt National Gallery, London
Painting ID:: 1608
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Jacopo Pontormo Punishment of the Baker National Gallery, London
Painting ID:: 1610
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Jacopo Pontormo Joseph being Sold to Potiphar National Gallery, London
Painting ID:: 20146
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Jacopo Pontormo The Virgin and Child with Four Saints and the Good Thief with (mk05) Before 1529
Wood 90 x 69 1/4''(228 x 176 cm)Entered the Louvre in 1814
Painting ID:: 23452
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Jacopo Pontormo The Visitation (nn03) 1530/32
Oil on panel 202 x 156 cm 79 1/2 x 61 1/2 in
Pieve di San Michele Carmignano
Painting ID:: 30485
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Jacopo Pontormo Deposition mk68
Oil on wood
Florence
Church of Santa Felicita
c.1528
Italy
Painting ID:: 44904
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Jacopo Pontormo Cosimo de Medici the Elder mk176
c.1518
87x65cm
Painting ID:: 50994
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Jacopo Pontormo Madonna and Child with Saints 1518 Oil on wood, 214 x 185 cm San Michele Visdomini, Florence Pontormo executed this celebrated painting for the chapel of Francesco di Giovanni Pucci in the church San Michele Visdomini in Florence.
Painting ID:: 51770
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Jacopo Pontormo Saint Matthew nn09
c.1527-28
Oil on wood
Painting ID:: 52202
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Jacopo Pontormo Sacra Conversazione 1514 Fresco, 223 x 196 cm
Painting ID:: 52283
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Jacopo Pontormo Madonna and Child with the Young St John c. 1528 Oil on wood, 89 x 74 cm
Painting ID:: 58157
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Jacopo Pontormo The birth of the Baptist mk261 wood engraving oil painting, Florence, the Ukrainian Fiji art museum, in 1890 numbered 1532.
Painting ID:: 58158
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Jacopo Pontormo generation Prevlaka and Tolstoy mk261 plank oil painting, Florence, Ukrainian Fiji art museum
Painting ID:: 63020
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Jacopo Pontormo Three Graces 1535 Sanguine, 495 x 213 mm Galleria degli Uffizi, Florence Pontormo's skill as a draftsman is universally admired, and his drawings are a highly approachable aspect of his vision. A delicacy of touch, a spirited line, and an emphasis upon surface is combined with an exciting concentration on silhouette. Artist: PONTORMO, Jacopo Painting Title: Three Graces , 1501-1550 Painting Style: Italian , graphics Type: study
Painting ID:: 67599
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Jacopo Pontormo Jacopo Pontormo Artist Pontormo, Jacopo
Title Deutsch: Gemälde fer das Hochzeitszimmer des Pier Francesco Borgherini im Familienpalast in Florenz, Szene: Joseph in Ägypten, Detail
Year 1517-1518
Painting ID:: 74554
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Jacopo Pontormo Noli me tangere. after 1531
Oil on wood
175 X 134 cm
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Italian 1494-1557 Jacopo Pontormo Galleries
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.
